there is nothing worse than being hungover while you’re on vacation with a friends family

latish tonight we’re finishing our video. if u are in allston tonight PLEASE PLEASE hmu we need to amass big group of rowdy drunk people all having fun

we want as many people as possible!

play:

if you don’t think sky f. is hot, you’re an idiot

reprecords:

Hall of frank / Frank & Mirrors

(via jesskaleach)

this is fucking beautiful. the main melody in the instrumental reminds me of one of the cirque du soleils i saw as a kid. i’m really liking olympia, ahh 

i think i’ve decided on my first tattoo :0

(via ipleasureyouwithpain)

just got washed out tickets for my friend and i ^_____^

looks like no one is able / wants to bake a cake with me :((( want cuddles and cake and tv 

transcriptionconniptions:

undER THIS SLUT, AAHARHGROEOE GUARD, AHA HERHESHIASAN, RAAAAID LOOOOCH. well we’ve been RUNNING round pushing a SHOPPING XCRT CAN YOU REACH THE PHANTOM TWIRLS EVEN IN A SEPARATE SOFAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAURURURUUURURURRRGHHGHGHGHGHGRRHHGHARGHRHWWWWWWW? oooo. the CRINKLING OF A CASTLE OH CARERVUL OLD RANSOM GUY carreful WITH CUAUUUSE IT’S MY eyes eyes EYES can hear you SOM,EBOOOODY’S KID IS SUCKING ON MY PHOOOOOOOOONE eyes eyes EYES they see you AND THEY’RE A KID THAT CAN SUCJ ON MY FOOOOOOOOOOOOR. AND THERE’S A SOD, HE CAN PILES OF FLOWERS FULL OF FLOWERS ARGH, IT’S SONY MARKER on my DOORSTEeeep SCREAMING “HEEGHEHH” I’M TELLING YOU STORIIIIIIIIIIIIIIIIIIEEEEEEEES TRUST MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEGHEEEGHEEHEEEEEEHHEHGEHEGHAHRGHRGHRGHRGRHRHRHRHWWWWWWWWWWWWW oooooooo. AND HE WRITES HSI STORY TOO SOON I THINKS. OPEN MY CUNT AND READ, A BEAUTIFUL RUM eyes eyes EYES EYES telling you SOMEBODY KILLING SUCKING ON MY PHOOOOOOONE. eyes eyes EYES EYES telling you I’M NOT A KID TO SUCK ON MY PHOOOOOOOOoooone BOY THERE’S LIFIE N HERE LIFE A STRANGE DESIRE enjoyinh KNIGHTS NBEING A RULER EIIEATIN FUTILE OF FIRE. boys like stale kale what’s mine is strange DEsire joining lines with a ruler with a view to a FIRREEUEUEUEUEUEEEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAOOOOOOOO.

– A Tooth for an Eye, The Knife

fucknotreylane:

ZOLA JESUS Set to Release String Arrangement Album, “Versions”

A Collaboration with JG Thirlwell and Mivos Quartet

Out August 20 via Sacred Bones Records

that feeling when you send something important in and have to wait around a week for a response

it’s gonna be a long week

someone come over tonight and bake a cake with me :3

entergodmode:

AN INCOMPLETE LIST OF THE PEOPLE AND ENTITIES WHO BENEFIT FROM A SYSTEMATICALLY ACCELERATED CONSUMPTION OF SUPPOSEDLY INDEPENDENT MUSIC (THEORETICALLY SPEAKING)

1. music playback hardware manufacturers such as apple and beats by dre (e.g. iphone, beats headphones)

2. music distribution platforms and services (more products to sell, more products to stream, the accumulation of microprofits, etc)

3. cloud-based downloading services such as mediafire

4. internet server companies that provide online data space for both #2 and #3

5. social media networks where music information is shared (tumblr, facebook both benefitting from more people using their services, e.g. for data mining)

6. music media (always something new to write about, more opportunities to create pseudo-narrative out of news cycle, more opportunities to be “first” both journalistically and critically, more opportunities to graft fictive-non-fictive theories onto content, greater likelihood that grafted theories will appear meaningful)

7. publicity firms (wider pool of represented ‘talent’ means more opportunity to broker deals with more and different kinds of media, e.g. more access given to more popular artist in exchange for smaller feature/debut/no-harm-done type press, e.g. debut, tour dates, any acknowledgement of new artist’s existence; publicists become integral part of controlling the ‘deluge’ and enjoy increasing degrees of setting agendas they are paid to set)

8. booking agencies and other 10- and 20-percenteries like management and music law. (greater nationalization of booking in the form of package deals, more younger bands with national appeal willing to be “put on the road” for $100/$150night, more power when negotiating fees and festival time slots, less pressure to ‘build’ an artist’s following because the artist will likely be made irrelevant in the deluge of new and more exciting artists; increasing profitability of picking up nickels and dimes)

9. new young artists whose content is loop-based, modular, capable of being quickly understood and cheaply produced (e.g. rap, electronic dance music, n.b. this is not a value judgment)

10. festival promoters (more ‘relevant’ bands means greater demand for festivals, rise in the number of festivals in US/worldwide speaks to the financial viability, festival brand becomes greater than the sum of its parts)

11. lifestyle brands (greater exposure to more supposedly independent artists drives down the cost of syncs and worldwide buyouts, no shortage of artists willing to have their music used for marketing purposes, more opportunities for festival sponsorships and promotional content)

12. people who enjoy the fantasy football-like qualities of the music world and take honest pleasure in the minting and accumulation of proper nouns (more ‘players’, more ‘teams’, more bowl games, more opportunities to be or to appear to be in the know, whether for reasons of self-definition or personal gain, social material or otherwise)

idk how to write this cover letter, blah